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Gideon Sundback on Google Doodle

Google honors Swedish-Americal engineer Gideon Sundback with a doodle of a zipper going down an embroidered Google logo.
In 1941, Otto Fredrik Gideon Sundback developed a version based on interlocking teeth, the “Hookless No. 2″. In this fastener each tooth is punched to have a dimple on its bottom and a nib or conical projection on its top. It is the modern metal zipper in all its essentials.
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Google celebrates Earth Day with a Doodle
Google celebrates Earth day with a time-lapse animation doodle of flowering plants that slowly blooms. It is the 42nd year of the advocacy started by US Senator Gaylord Nelson in efforts to raise environmental awareness.
Here we see purple, red and yellow flowers sprout from a series of shrubs laid out to spell Google. The shrubs appear to be pansies and the likes.
Earth Day was first held on 1970 after then senator Nelson, thought of the idea to promote an environmental agenda after a huge oil spill off the coast of California a year earlier.
Major Earth Day events have been held since 1970, always on 22 April. In 1990 the event went global for the first time, involving activities with an estimated 200 million people in 141 countries.
This year’s Earth Day is centered around the theme “one billion acts of green”, which encourages individuals to make simple environmentally conscious pledges, such as switching off light bulbs (sounds like earth hour no?) or reducing car journeys. Organisers say the day is now observed in 192 countries. WÖW
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Friedrich Fröbel on Google Doodle


Der Fröbel Kindergarten in Bad Blankenburg, Thüringen ist ein kleiner Ort mit seiner eigenen Geschichte zu erzählen. Dort gründete Friedrich Fröbel (1782-1852) den ersten Kindergarten im Jahr 1840. Er hat auch den Begriff Kindergarten geprägt, die jetzt unübersetzt verwendet in vielen Sprachen.
Heute Google ehrt deutsche Pädagoge Friedrich Fröbel mit einem doodle – seiner wichtigsten Erfindungen: die Fröbelgaben. Hier sehen wir Holzklötze in verschiedenen geometrischen Formen und das Wort Google wie buchstabiert.

Stacking up small wooden blocks at the kiga.
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Wilhelm Busch on Google Doodle

Google honors German caricaturist, painter, and poet Heinrich Christian Wilhelm Busch with a doodle depicting a scene from the famous children’s story ”Max and Moritz,” the artist’s first picture stories. We can see Master Böck falling from a bridge (small piece of wood) into the water. Max and Moritz, who had apparently sawed the bridge can be seen hiding behind a bush. The Google logo (letters) can be seen flying all over to add humor.
Max and Moritz to this day is a famous literary piece that has been part of the culture of German-speaking countries. It is also considered as the forerunner to the comic strip. The terrible duo are synonymous to mischief and every kid around would know who they are…
(Naughty) Max and Moritz, 1865; forerunners to the comic strip.
Google ehrt deutsche Karikaturist, Maler und Dichter Heinrich Christian Wilhelm Busch mit einem Doodle Darstellung einer Szene aus der berühmten Kindergeschichte “Max und Moritz“ der Künstlers ersten Bildergeschichten. Wir können sehen wie Meister Böck fällt von einer Brücke (kleines Holz) ins Wasser. Max und Moritz, der anscheinend die Brücke hatte angesägt versteckt sich hinter einem Busch. Das Google-Logo (Buchstaben) fliegen überall.
Max und Moritz bis zum heutigen Tag ist ein berühmtes literarisches Stück, und ist nun Teil der Kultur der deutschsprachigen Länder. Es wird auch als der Vorläufer des Comics betrachtet. Die schreckliche Duo sind ein Synonym für Unfug und jedes Kind die hier (Österreich) lebte, in Deutschland und in der Schweiz wissen wer sie sind …
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Robert Doisneau on Google Doodle

Google honors French photographer Robert Doisneau with a doodle depicting Paris en noir et blanc photo prints. Doisneau playful, and ironic images of amusing contrasts, mingling social classes, and eccentrics in contemporary Paris streets and cafes made him a name in the arts. Influenced by the work of André Kertész, Eugène Atget, and Henri Cartier-Bresson, his works gives prominence to street culture, most specifically kids.
That being said, his most recognizable work is Le baiser de l’hôtel de ville (Kiss by the Hôtel de Ville), a photo of a couple kissing in the busy streets of Paris which construes Paris’ nickname, the City of Love.

Le baiser de l'hôtel de ville (The Kiss)
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The Living Camera, Savant Stephen Wiltshire
Stephen Wiltshire is a British architectural artist known for his ability to draw from memory a landscape after seeing it just once. He would most of the time fly over a city in a helicopter and draw it the following days in a panoramic canvas.
He would also draw certain sceneries of places he’s been to. Like photography, taking a piece of reality and capturing it, Stephen would sketch what he remembers…a true prodigy deserving to be called The Living Camera. What’s more astonishing is, Wiltshire has been diagnosed with autism yet it didn’t hinder him to become a great artist in his own right (Savant).

Stephen Wiltshire's "Two Gondolas in Venice"
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Juan Gris on Google Doodle
Google honors Spanish painter and sculptor Juan Gris with a doodle representing his art as one of Cubism’s most distinctive work.
In actuality, the Spanish artist’s name was far from what he is known for. On 23 March 1887 he went to Madrid as José Victoriano Carmelo Carlos González-Pérez and was known so. This name would be too long for a canvas signature so he decided to take on a pseudonym, thus, Juan Gris.
Gris was the son of a wealthy businessman, the 13th of 14 children and had an art-loving uncle who taught him at an early age the first techniques of painting. His passion for art led him to study at an art school in Madrid in 1902, which he graduated from two years later. He then went into training with his close friend José Moreno Cabonero, who later became the teacher of Salvador Dalí. During his studies, he earned a living by illustrating poems.
In 1906 Gris moved to Paris. He drew cartoons for satirical journals and made the acquaintance of Henri Matisse, Georges Braque and Pablo Picasso. Here he developed his own style that can be associated in its early days as analytical cubism. He painted mainly still lifes in which individual pixels were placed over each other like a collage. Later on, a friendship with a German art dealer brought his creativity even at an early period to some exhibitions.
The Spanish artist has developed his own style but was influenced by artist friends such as Picasso and Matisse. In 1914 he tried his hand in synthetic Cubism, working with elements such as newsprint, wallpaper, and broken pieces into a collage-like image. The year 1916 marks the beginning of Gris’ “architectural” phase.
Gris would not only be dealing with painters, but also made the acquaintance of the French sculptor Jacques Lipchitz. Shortly thereafter, he created his first sculptures. Besides, he also worked frequently for the theater, created costumes and decorations. In addition, he was also in demand as a book illustrator.
The Guitar (1918)
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